Tag Archives: Darkroom

Nightmares (1983)

Nightmares is a strange bird of a horror anthology. First of all, it was made in the wrong decade. Not many of these came out when Nightmares did. Then, it decided not to have a horror host or framing story. You barely even get a title card. It was released by Universal; many anthologies came from smaller studios like Amicus. But then, it suffers from some of the curses the horror anthologies always have. Extreme shifts in quality from story to story and some of the segments feel like they were rushed. Others…go on forever and you are way ahead of them.

This one has a double whammy: the movie was put together off the cutting room floor. Remember when I reviewed the short lived horror anthology TV Series Darkroom? Well, when it went down in flame, they had some scripts that were deemed “too intense” for television. (Frankly, I think this movie would be rated PG these days.)

All I wanted was a smoke! Instead, I’m smokin’ hot.

The first segment, Terror in Topenga, is an urban legend come to life. Greatly enhanced by a subplot regarding the evils of cigarette smoking and an appearance by William Sanderson, of Newhart’s Larry of Larry, Daryl and Daryl. You have everything here: a vice that needs fixing, an escaped mental patient complete with hyper radio newscasts, and a gas station at night. It is an efficient little piece and probably my favorite of the batch.

Greetings, Earthling. I am the Bishop of Battle, master of all I survey. I have 13 progressively harder levels. Try me if you dare.

The second segment is the Bishop of Battle starring a very young Emilio Estevez. Emilio was probably figuring out his character for Repo Man which would be released the very next year, and he plays his part to perfection. Fun fact: James Tolkan (the principal in Back to the Future) does the voice of video game Bishop of Battle. You will see the end coming from a mile away, but the nostalgic look at a mid-80’s mall and its arcade makes it even more fun. Worth seeking out this segment.

He’s hooked. He’s hooked. His brain is cooked.

Two winners in a row, but then we get The Benediction. Despite having the always wonderful Lance Henriksen in the lead of the segment, this is the stinker of the bunch. They try to build a backstory, but it is not much fun, and the plot is a warmed over version of Duel that just is so lame in comparison to the Stephen Spielberg classic. It’s not bad, per se, but a step down from the first two segments.

Well, I think I’m going to throw out that bedspread.

Batting clean up is Night of the Rat with Alien’s Veronika Cartwright and The Thing’s Richard Masur in the dual lead. Pretty pedestrian man vs. rat battle for the house story shows one control freak that sometimes you need to just let go. It is also a disappointment despite strong lead performances.

I’d recommend to give this one a try with one of your friends that likes their horror a little lighter and not too worried if they are ahead of the plot twists by a good lap or two.

Grade: B

Nightmares (1983)

Darkroom (1981 TV Series)

James Coburn goes DARK

When the past comes calling, sometimes it is very disappointing. I was bracing myself for that experience when diving back into 1981’s Darkroom. I had fond memories of the show, but nothing concrete. I couldn’t remember a single story.

Or so I thought.

Darkroom was one of a wave of anthology shows to hit television in the early half of the Eighties. I suspect it was due to the success of “Twilight Zone” in syndication and, frankly, without recurring characters, you could pay your actors dirt cheap.

Helen Hunt while her career was still developing

Now that I think about it, probably more to do with the latter of those than the former.

Good selection for reading material, James.

Darkroom was produced by Universal TV, but actually aired on ABC. I’m not sure if that is why it is currently streaming on NBC.com instead of Peacock, but who the heck understands all that stuff anyway? James Coburn, with his shock of silver hair, gravely voice, and decked out in all black turtleneck and slacks, was the host from the titular darkroom supposedly discussing some photos he is developing. Honestly, he only introduces about half of these things, so his involvement was probably filmed in a day or two.

Let’s do that voodoo you do so well.

The stories are what shines. A few of them were written by Robert “Psycho” Bloch and we get early peeks at Helen Hunt and Billy Crystal on the program. Also in the festivities is Claude Akins, David Carradine, Brian Dennehy, Rue McClanahan, June Lockhart, Jack Carter and Ron Cox.

Not too shabby?

As I watched, I smiled in glee as I figured out the “twist” endings that came shambling back from their graves in my ten year old boy’s mind. There is something very satisfying with this type of storytelling.

This story left a lasting film in my memory.

My favorite part of the show is each 60 minute show could have two or three stories/segments. They let each story take as long or short as it needed. Too often, horror overstays it’s welcome, but these get to the point, trying to beat you to the punch of figuring out the twist, and move on.

Mah-velous performance.

If you do nothing else, watch the episode/segment featuring Billy Crystal and Brian Dennehy called “Make Up.” It’s a great look at Billy Crystal doing a dramatic turn and has that classic Twilight Zone vibe you are looking for in a series like this.

I recommend taking a dive into the Darkroom.

Grade: A-

Darkroom (1981 TV Series)