Tag Archives: Robert Bloch

Psycho II (1983)

Alfred Hitchcock, arguably, created the slasher genre in the 60’s with his sublime film Psycho based on Robert Bloch’s shocking (for the time) book of the same name. You would need to be a psycho yourself to try to make a sequel 23 years later.

Well, Richard Franklin didn’t know any better. He made Psycho II anyway.

My OCD is acting up again.

Richard who? I had to look him up, too. His only other notable film, to my mind, was F/X 2, a criminally underseen action movie of the greatest action movie decade ever. You would have to have nothing to lose to try something like this.

This looks just like the one on the Universal backlot tour.

Now, it wasn’t like he did it alone. Somehow, he was able to entice Anthony Perkins and Vera Miles from the original cast to return. Great character actor Robert Loggia and ingénue Meg Tilly round out the cast. Armed with a script from Tom Holland, who has serious horror credits like Fright Night and Child’s Play to his credit, they were ready to take on the classic. (By the way, Robert Bloch’s novel Psycho II is nothing like the film and a little meta. I often think it was the blueprint to some of the 90’s slashers that followed Scream.)

Creepiest couple ever.

Except they weren’t. At least not completely. While Franklin mimics some of Hitchcock’s most flashy shots from the original, it feels like imitation…not homage. The Jerry Goldsmith score, while perfectly serviceable, can’t replace the rip-roaring theme by Bernard Herrmann. The project, though, is well produced and the script is solid in amping up Norman from a seemingly weak goof at the beginning of the flick to the deranged mad man we all know and love as the film progresses.

The thing in his hand, children, is a wired telephone.

So, the movie doesn’t quite stack up to what is considered one of the greatest directors of all time’s top five films…but what can??? They did a good job with this film and it is a fun little fear machine. Enjoy it for what it is and try not to compare it to the original so much that you lose this movie’s merits in the process.

Grade: B+

Psycho II (1983)

Darkroom (1981 TV Series)

James Coburn goes DARK

When the past comes calling, sometimes it is very disappointing. I was bracing myself for that experience when diving back into 1981’s Darkroom. I had fond memories of the show, but nothing concrete. I couldn’t remember a single story.

Or so I thought.

Darkroom was one of a wave of anthology shows to hit television in the early half of the Eighties. I suspect it was due to the success of “Twilight Zone” in syndication and, frankly, without recurring characters, you could pay your actors dirt cheap.

Helen Hunt while her career was still developing

Now that I think about it, probably more to do with the latter of those than the former.

Good selection for reading material, James.

Darkroom was produced by Universal TV, but actually aired on ABC. I’m not sure if that is why it is currently streaming on NBC.com instead of Peacock, but who the heck understands all that stuff anyway? James Coburn, with his shock of silver hair, gravely voice, and decked out in all black turtleneck and slacks, was the host from the titular darkroom supposedly discussing some photos he is developing. Honestly, he only introduces about half of these things, so his involvement was probably filmed in a day or two.

Let’s do that voodoo you do so well.

The stories are what shines. A few of them were written by Robert “Psycho” Bloch and we get early peeks at Helen Hunt and Billy Crystal on the program. Also in the festivities is Claude Akins, David Carradine, Brian Dennehy, Rue McClanahan, June Lockhart, Jack Carter and Ron Cox.

Not too shabby?

As I watched, I smiled in glee as I figured out the “twist” endings that came shambling back from their graves in my ten year old boy’s mind. There is something very satisfying with this type of storytelling.

This story left a lasting film in my memory.

My favorite part of the show is each 60 minute show could have two or three stories/segments. They let each story take as long or short as it needed. Too often, horror overstays it’s welcome, but these get to the point, trying to beat you to the punch of figuring out the twist, and move on.

Mah-velous performance.

If you do nothing else, watch the episode/segment featuring Billy Crystal and Brian Dennehy called “Make Up.” It’s a great look at Billy Crystal doing a dramatic turn and has that classic Twilight Zone vibe you are looking for in a series like this.

I recommend taking a dive into the Darkroom.

Grade: A-

Darkroom (1981 TV Series)